When Sandra Bullock causes me to write run-on sentences

Yes, this is a jerk movie; and Sandra, although talented, capable, attractive and desirable, has made a career out of playing ugly, annoying or ill-mannered types who are often punished into submission. Look over her body of work and try to find one film where there wasn’t something mentally or physically off about the people she’s played and the road they take. Forget the temptation to blame agents, writers or directors; she’s got the clout to be her own producer and oversee her films down to the last frame. In the case of All About Steve, she does a burlesque on Anne Baxter’s Eve in All About Eve (1950), transforming her from ruthless ladder-climber into a nervous chatterbox stalker/predator in red plastic boots bent on hooking up with an unsuspecting schlub played by Bradley Cooper, with Thomas Haden Church as yet another clown in an ill-advised side-story, reminding me that Jerry’s co-star in Don’t Raise the Bridge… was Terry-Thomas, who was often funnier than Jerry just as Mr. Church can be in relation to Ms. Bullock. This is a very strange mix and an equally strange movie, and I found myself looking deep and hard at the screen for nearly all of its 99 minutes, bewildered by the directions it took. Just like in the old days with Jerry.


5 Comments:
Well, she didn't play a jerk in The Net, The Blind Side, and though I didn't see it, it sounds like Crash. I don't remember Wrestling Ernest Hemingway very well, but I don't remember any jerk kinds of things in it either. You might want to qualify your statement to comedies, not her entire body of work. It's kind of a smirch on her the way it reads now.
"Sandra, although talented, capable, attractive and desirable, has made a career out of playing ugly, annoying or ill-mannered types who are often punished into submission. Look over her body of work and try to find one film where there wasn’t something mentally or physically off about the people she’s played and the road they take."
Where do I say she played a jerk in all her movies?
In The Net, she's introverted beyond human touch; in Crash she's a monster. (I've yet to see The Blind Side.)
In The Proposal she's a cold beast thawed by an overbearing family; in Premonition she nearly goes insane from a Groundhog Day dilemma; in Murder by Numbers her detective is frosty and distant; in Miss Congeniality her cop is an actual "pig" -- and note when she allows herself to look "hot" she has to add a pratfall; in Practical Magic her appearance is downplayed for her to become the "plain" sister; god, I'm getting a headache...
I don't think any of those characterizations are of a piece. Are they really all ugly, annoying, ill-mannered, mentally or physically off? Frosty and distant could describe thousands of characters in movies. If she were Tom Hanks, you'd say she's nothing but a likeable everywoman. Come on. You didn't like this movie and a few others. Let's leave it at that, not assassinate her entire career.
If she were Tom Hanks I probably wouldn't have seen most all of her movies.
I'm not assassinating her career. But I do believe that a lot of her characterizations come from a place of self-loathing.
Even if the quality of the movies is uneven, Sandy is brave enough to look foolish, which not many actresses will do. And she looked darn cute in those pajamas with feet in The Thing called Love, one of Peter Bogdanovich's more enjoyable films.
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