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Unless specified otherwise, all text on this blog is copyright © 2012 by Ray Young.
Above: Ad art for The Return of Mandy's Husband (1948)

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TUNEAGE

    “Lush Life”

    Johnny Hartman (vocal)
    John Coltrane (tenor sax)
    McCoy Tyner (piano)
    Jimmy Garrison (bass)
    Elvin Jones (drums)

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New Articles on the Flickhead Website:

    De Sica, Sophia and Marcello:

    Three Films
    “Sophia Loren and Vittorio De Sica were part of a vital moment in popular Italian cinema, when the hugely profitable American market was temporarily open and eager for European imports, when a lot of people were confused by Federico Fellini or wary of Roberto Rossellini.” Looking at the Blu-rays of Yesterday, Today and Tomorrow (1963), Marriage Italian Style (1964), and Sunflower (1970).

    A Propos de deux

    “In a piece on French film education resources recently I included some comments on Jean Vigo’s delightful seaside documentary A Propos de Nice. So I watched the film again. It so happened that the evening before I had watched the Ernst Lubitsch romantic comedy Bluebeard’s Eighth Wife. Seeing both of these films in such proximity made me wonder if they had ever been paired in a double bill…” Ruminations by Richard Armstrong.

    Screen Jens:

    When Salome Shook Her Groove Thang for The Lord
    “How many actresses are named Salome? The one who beguiles me is Salome Jens.” Looking back on her career and the 1961 film, Angel Baby.

    At the Gallery

    “What is most powerful to me about…Au Café…is what might be described as its aural dimension. Once you have seen it and studied it, surrounded in this room by the pastoral and bucolic relics of Impressionism, Degas’s canvas, modestly situated in a far corner, could almost be about to speak.” After hours with Richard Armstrong.

    Sisters of Mourning

    “I watched Cléo de 5 à 7 recently on DVD and it made me jump! I was astonished by its similarity to Carnival of Souls, the little horror film which I have written about in the past.” Cinema considerations by Irene Dobson.

    I’d Walk a Mile for a Cammell

    “Less the Holy Grail of Donald Cammell’s sketchy oeuvre than one of its many missing links, Duffy (1968) is a psychedelic heist film making a long overdue debut on home video.” DVD review.

What the critics once said about Flickhead

    “Not intentionally scholarly, perhaps, but scrupulously informative”

    — Catherine Grant

    “A website about as accessible as a Pasolini film”

    — Edmonton Public Library

    “The ultra-cool Flickhead”

    — Self-Styled Siren

    “A truly wild, amusing, fabulously unpredictable site.”

    — Gerald Peary

    “Solid writing...and just the right amount of attitude”

    — Jonathan Lapper

    “Another web critic”

    — David Bordwell

    “Ray Young is among a handful of writers who inspired me to blog”

    — Pierre Fournier

    “Majestic”

    — Tom Sutpen

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